The Egyptian Women

From Warrior Women to Female Pharaohs: Careers for Women in Ancient Egypt (4)

By Dr Joann Fletcher



Wives and mothers



But with the 'top job' far more commonly held by a man, the most influential women were his mother, sisters, wives and daughters. Yet, once again, many clearly achieved significant amounts of power as reflected by the scale of monuments set up in their name. Regarded as the fourth pyramid of Giza, the huge tomb complex of Queen Khentkawes (c.2500 BC) reflects her status as both the daughter and mother of kings. The royal women of the Middle Kingdom pharaohs were again given sumptuous burials within pyramid complexes, with the gorgeous jewellery of Queen Weret discovered as recently as 1995.
During Egypt's 'Golden Age', (the New Kingdom, c.1550-1069 BC), a whole series of such women are attested, beginning with Ahhotep whose bravery was rewarded with full military honours. Later, the incomparable Queen Tiy rose from her provincial beginnings as a commoner to become 'great royal wife' of Amenhotep III (1390-1352 BC), even conducting her own diplomatic correspondence with neighbouring states.
'...Queen Tiy rose from her provincial beginnings as a commoner to become 'great royal wife' of Amenhotep III...'
Pharaohs also had a host of 'minor wives' but, since succession did not automatically pass to the eldest son, such women are known to have plotted to assassinate their royal husbands and put their sons on the throne. Given their ability to directly affect the succession, the term 'minor wife' seems infinitely preferable to the archaic term 'concubine'.
Yet even the word 'wife' can be problematic, since there is no evidence for any kind of legal or religious marriage ceremony in ancient Egypt. As far as it is possible to tell, if a couple wanted to be together, the families would hold a big party, presents would be given and the couple would set up home, the woman becoming a 'lady of the house' and hopefully producing children.
Whilst most chose partners of a similar background and locality, some royal women came from as far afield as Babylon and were used to seal diplomatic relations. Amenhotep III described the arrival of a Syrian princess and her 317 female attendants as 'a marvel', and even wrote to his vassals - 'I am sending you my official to fetch beautiful women, to which I the king will say good. So send very beautiful women - but none with shrill voices'!
Such women were given the title 'ornament of the king', chosen for their grace and beauty to entertain with singing and dancing. But far from being closeted away for the king's private amusement, such women were important members of court and took an active part in royal functions, state events and religious ceremonies.
With the wives and daughters of officials also shown playing the harp and singing to their menfolk, women seem to have received musical training. In one tomb scene of c.2000 BC a priest is giving a kind of masterclass in how to play the sistrum (sacred rattle), as temples often employed their own female musical troupe to entertain the gods as part of the daily ritual.

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